Vittorio GHIELMI – Viola da gamba

Masterclass: September 20th - September 24th

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Biografia

Nato a Milano, ha iniziato a quattro anni[1] lo studio del violino e, successivamente, della viola da gamba, distinguendosi già in giovane età per l’intensità e la versatilità della sua interpretazione musicale e per il suo innovativo approccio allo strumento.

I suoi studi nel campo, riguardanti antiche tradizioni musicali ancora vive in località isolate del mondo gli ha permesso di portare alla luce nuove prospettive nell’interpretazione della musica europea dei secoli passati. Vincitore del “Concorso Internazionale Romano Romanini per strumenti ad arco” (Brescia, 1995)[2] e del “ Erwin Bodky Award” (Cambridge, Massachusetts USA 1997)[3]. Come solista di viola da gamba o direttore (accompagnato da orchestre come la London Philharmonia, Wiener Philharmoniker, Il Giardino Armonico, Freiburger Baroque Orchestra etc.) si è esibito nelle più prestigiose sale del mondo (Musikverein Wien, Berliner Philharmonie Berlin, Casals Hall Tokio etc.), o in recitals in duo col fratello Lorenzo Ghielmi o col liutista Luca Pianca. Inoltre, è stato invitato ad eseguire diverse “prime” mondiali di alcune nuove composizioni (Kevin Volans, Teatro Regio di Torino; Nadir Vassena, Berliner Philharmoniker Hall). Ha suonato in duo o in trio con artisiti come Gustav Leonhart, Christophe Coin, Viktoria Mullova, Giuliano Carmignola, Cecilia Bartoli, Enrico Onofri etc.

L’ensemble da lui creata “Il suonatore Parlante”, in entrambe le forme sia di quartetto di viole da gamba (Rodney Prada, Fahmi Alqhai, Cristiano Contadin) sia di orchestra, si è dedicato ad una nuova investigazione del repertorio di musica classica e antica, ma ha suonato anche con importanti musicisti jazz come Kenny Wheeler, Uri Caine, Jim Black, Don Byron, Markus Stockhausen, Nguyen Lê, cantanti pop come Vinicio Capossela, stelle del flamenco come Carmen Linares etc. Diversi jazzisti e compositori hanno scritto musiche per la sua ensemble, che ha inoltre collaborato con musicisti di tradizione extraeuropea, come ad esempio i virtuosi afghani della “Ensemble Kaboul” (Khaled Arman).

Ha registrato diversi CD da solista vincendo diversi premi della critica[1] (Decca, Teldec, Naïve, Harmonia Mundi France, Accent, CPO etc.).[2] La sua ultima produzione è stata per il Winter&Winter (Monaco, Germania) e Passacaille (Belgio). Ghielmi è uno dei pochi suonatori di viola da gamba che è regolarmente richiesto per suonare come solista insieme ad orchestre. Nel 2007 ha concepito e condotto lo spettacolo “Membra Jesu Nostri” di Buxtehude, con il produttore cinematografico americano Marc Reshovsky e il coro svedese “Rilke ensemblen” (G. Eriksson). Lavora come assistente di Riccardo Muti nel festival Pfingstam di Salisburgo.[1] Nel 2008 Uri Caine ha composto e dedicato a lui un “concerto per viola da gamba e orchestra”.

È titolare della cattedra nel conservatorio Luca Marenzio di Brescia. Organizza cicli di studi e concerti riguardo alle tecniche di antichi strumenti e la loro sopravvivenza in tradizioni musicali “etniche” per il Politecnico della cultura, delle arti e delle lingue di Milano. Ha pubblicato studi musicali e l’edizione integrale dei Concerti per viola da gamba di Johan Gottlieb Graun, e diretto la ricerca scientifica-musicale del “Libroforte-Fine Music editions”.

Biography

The Italian viola da gamba player, conductor, and composer, Vittorio Ghielmi, began as a child in Milan his study of music with the violin and later the viola da gamba. He studied the viol with Roberto Gini at the Accademia Internazionale della Musica in Milan, with Wieland Kuijken at the Conservatoire Royale in Brussels and with Christophe Coin in Paris. Associations with instrument maker, engineer and humanist Luc Breton (Switzerland) as well as with many musicians of non-European traditions (India, Afghanistan, Africa, Latin America) have been fundamental to his musical career. In 1995 he was the winner of the “Concorso Internazionale Romano Romanini per strumenti ad arco” (Brescia). His fieldwork within old musical traditions surviving in forgotten parts of the world and bringing new perspectives to the interpretation of European “early music” led to him being presented the “Erwin Bodky Award” (Cambridge, Massachusetts USA 1997).

Vittorio Ghielmi has been compared by critics to Jasha Heifetz (Diapason) for his virtuosity, and described as “An Alchemist of sound” (Diario de Sevilla) for the intensity and versatility of his musical interpretations. He attracted notice while still very young for his new approach to the viola da gamba and to the sound of early music repertoire.

As viola da gamba soloist or conductor, Vittorio Ghielmi has appeared with many of the world’s most famous orchestras in the fields of both classical and ancient music (Los Angeles Philharmonic Orchestra – performing a Graun Concerto in the Hollywood Bowl; the London Philharmonia Orchestra, Wiener-Concertverein, Il Giardino Armonico, Freiburger Barockorchester, etc.). He performs recitals in duos with his brother Lorenzo Ghielmi and with Luca Pianca, and has performed many of in the most important halls (Musikverein Wien, Berliner Philharmoniker Hall, Casals Hall Tokio etc.). As soloist or chamber musician, he has shared the stage with artists such as Gustav Leonhardt (duo), Cecilia Bartoli, András Schiff, Thomas Quasthoff, Mario Brunello, Enrico Onofri, Viktoria Mullova, Graciela Gibelli, Giuliano Carmignola, Christophe Coin, Reinhard Goebel, Giovanni Antonini, Ottavio Dantone, etc. He is one of the few viola da gamba players regularly invited to appear as a soloist with orchestra.

Vittorio Ghielmi has been invited to play in the world première of many new compositions, many of which have been dedicated to him (Kevin Volans’ White man’s sleep, Teatro Regio di Torino; Nadir Vassena’s Bagatelle trascendentali for viola da gamba, lute and orchestra, Berliner Philharmoniker Hall, 2006; Uri Caine’s Concerto for viola da gamba and orchestra, Amsterdam Concertgebouw and Bozar Bruxelles 2008; Caine’s Concerto per viola da gamba, basset-horn and Orchestra, Passau 2012). From 2007 to 2011 he was assistant to Riccardo Muti at the Salzburg festival. In 2007 he conceived and conducted a show, based on Dietrich Buxtehude’s Membra Jesu Nostri, with the American film maker Marc Reshovsky (Hollywood) and the Swedish choir Rilke Ensemble (G. Eriksson); the project was produced by the Semana de musica religiosa de Cuenca (Madrid) and brought later to the Musikfest Stuttgart in 2010. Over three nights in 2009, he gave a performance of Forqueray’s complete works for viola da gamba at De Bijloke, Ghent (Belgium). He has been artist in residence at Musikfest Stuttgart 2010, the Segovia festival 2011, and the Bozar Bruxelles 2011. In 2012 he conducted George Frideric Handel’s Water Music at the Portogruaro Festival (Venice) with a spectacle on the river Lemene conceived by Monique Arnaud.

Vittorio Ghielmi’s ensemble, Il Suonar Parlante, appearing as a Viols Quartet or an Orchestra, is devoted to a new investigation of the early music repertoireas well as to the creation of new musical realities (see the page and link in this site). The ensemble has also performed with important jazz players such as Kenny Wheeler, Uri Caine, Jim Black, Don Byron, Markus Stockhausen, Nguyen Lê and Achille Succi; jazz and blues singers such as Cristina Zavalloni and Barbara Walker; pop singers like Vinicio Capossela; and flamenco stars such as Carmen Linares. Several jazzmen and composers have written new music for Il Suonar Parlante. The ensemble also collaborates with traditional Asian musicians like the Afghan virtuosi of Ensemble Kaboul (Khaled Arman).

Vittorio Ghielmi’s collaboration with traditional players and in particular with the Sardinian traditional singers of the Cuncordu de Orosei is documented in the film The Heart of Sound, BFMI (Salzburg-Hollywood). He has made many recordings winning many prizes (for labels such as Winter&Winter, Harmonia Mundi, Teldec, Decca, Sony, Auvidis, Opus 111, Passacaille) covering all the different musical styles in the viol repertoire; four CDs are dedicated to the virtuosic gamba concerti by Johann Gottlieb Graun (1702-1771) performed with Ensemble Baroque de Limoges, Orchester Wiener Akademie, Il Gardellino and Il Suonar Parlante.

In addition to his activity as an instrumentalist and conductor, Vittorio Ghielmi has often been in demand as an arranger and composer.

Vittorio Ghielmi is professor at the Conservatorio Luca Marenzio (Brescia) and at Mozarteum in Salzburg and regularly gives master-classes in Academies and Universities all over the world. In the “Politecnico della cultura, delle arti e delle lingue” in Milan, he has organized series of conferences and concerts focused on the early music instrumental techniques and their survival in “ethnic” musical traditions. He has published studies and articles on music and previously unpublished scores (Fuzeau, Minkoff, Ut Orpheus), as well as a method for viola da gamba known thoughout the world (with Fabio Biondi, ed. Ut-Orpheus, Bologna). He is currently publishing a complete edition of Johan Gottlieb Graun’s Viola da Gamba concertos and directs the musical research of “Libroforte-Fine Music Editions”. Vittorio Ghielmi plays a bass viol made by Michel Colichon, Paris 1688.